驚魂未定。這一季還能說什麽？一張獨屬於美國，從街頭巷尾到金字塔尖的解剖圖，一麵保持現代社會縱深的眩暈和幻滅感，另一麵又奇跡般地出現了武俠小說般加速度的五光十色。在變速的多樣性上又有Cole猝死和Prez失手兩場在劇情上毫無意義，卻意想不到地發泄和轉移了情緒的戲。犯罪從單向被調查取證的幫派/街頭行為變成無孔不入，由上至下狂歡式的社會風氣乃至生存之道，以至於Stringer Bell由黑洗白，Major Colvin開創合法區兩次變奏的嚐試，都因為意圖打破圈層成規而無法善終。第一季牽線搭橋，第二季分崩離析，第三季全麵引爆，上在往下施壓，下在往上攀爬，有人消弭，有人張揚，而欲望和苦難始終在場。美國生活的全部詩意都藏在了警局為Cole送行的夜晚，你可以自由選擇所站的一邊，但卻不可能逃出遊戲規則。

劇情重複牽強。。。硬生生的所謂“感動”。。。 隻能說有創意了

mcnulty前半程完全在醬油啊。

太拘泥於小的細節 是抓不住幸福的

The Wire has transcended the tropes of police drama and looks at the human conditions, the human ecology of certain social groups who are often neglected, forgotten or even rejected by the mainstream of a society. It puts you right into their community and show you both the pretty and ugly sides, both the virtues and vices without flinching, thus avoiding depicting them from an outsider's perspective. In other words, The Wire manages to represent these groups without giving them a sense of otherness, and that is something truly admirable.