確實是有些瑕疵，反派臉譜化，故事套路化。在知道曆史的上帝視角來看，那個時代背景下的自強喊得十分無力，可那一首《男兒當自強》卻唱得人熱血澎湃。動作設計很棒，特別是黃飛鴻與嚴振東的倉庫梯子大戰。黃飛鴻思想的轉變其實也是洋務運動的由來，從一開始不懂“照相機”與拒絕穿“西裝”到拿起火槍洋彈射擊敵人。“師夷長技以製夷”，製夷應是目的，師夷應是手段。而俠義的體現則在黃飛鴻與嚴振東的對比上，忍辱負重應忍的是對自己的辱，嚴振東如阿Q般選擇性看見，已與俠背道而馳了。

隻是把老套的七年之癢故事的主角換成了gay ，沒有新意。

everything is falling apart, only young flesh is forever.

最後一分鍾的腳本應該可以獲獎了......There is also a price I have to pay for naively assuming I was just a witness. Life has proven that tacit consent turns witnesses into accomplices. So, we all voluntarily became hostages of the very person who was leading us towards a glorious future that ultimately came to echo the dark past.

安哲的電影一直是這麽悲涼，原以為這次不同了，舞台上的激情也隻是回光返照，燃盡了自己最後對世界的眷戀，真是慘的很啊